Martin Scorseses Mafiadrama Casino zeigt die Mafia im schillernden Las Vegas der frühen Siebziger, welches hinter dem Vorhang der guten Laune von Geld. Anfang der 70er-Jahre leitet Sam Rothstein (Robert De Niro) für die Mafia eines der lukrativsten Casinos von Las Vegas. Der Erfolg macht ihn scheinbar. Casino Film - Kritik Martin Scorseses Abgesang auf den trügerischen Glanz von Las Vegas ist nach wie vor ein großartiges Erlebnis für die Sinne.
ErwähnungenCasino Film - Kritik Martin Scorseses Abgesang auf den trügerischen Glanz von Las Vegas ist nach wie vor ein großartiges Erlebnis für die Sinne. Anfang der 70er-Jahre leitet Sam Rothstein (Robert De Niro) für die Mafia eines der lukrativsten Casinos von Las Vegas. Der Erfolg macht ihn scheinbar. Casino ein Film von Martin Scorsese mit Robert De Niro, Sharon Stone. Inhaltsangabe: Las Vegas hat zwei Gesichter: das eine ist glamourös, das andere ist.
Casino Movie 10 Casino movie true facts ↓ VideoCASINO 1995 movie - the true story
Weshalb man als Spieler schonmal eine Frage Casino Movie kann. - Wo kann ich diesen Film schauen?Las Vegas hat zwei Gesichter: das eine ist glamourös, das andere ist grausam.
Sharon Stone had around 40 different outfits in this movie, while Robert De Niro changed different 70 costumes during the filming.
The interesting facts were that after the shooting was over, they both were allowed to keep their outfits. Yes, the scene at the end of the movie when the Casino imploded is the actual footage of the demolition of The Dunes Casino from October and January This spectacular event occurred in front of , spectators and was one of the first to create that spectacle.
On the former grounds now stands Bellagio Casino. All casino scenes where shot at the Riviera in Las Vegas. Due not to get in the way of the real gamblers, scenes were shot between am and am.
He was elected as Mayor of Las Vegas in June of Alvertis Isbell. The Staple Singers. Nights in White Satin. Justin Hayward.
The Moody Blues. How High the Moon. Timi Yuro. Ain't Got No Home. Clarence "Frogman" Henry. Without You. Harry Nilsson. Love Is the Drug.
Roxy Music. I'm Sorry. Brenda Lee. Go Your Own Way. Lindsey Buckingham. Fleetwood Mac. The Thrill Is Gone. The first hour plays like a documentary; there's a narration, by Rothstein Robert De Niro and others, explaining how the mob skimmed millions out of the casinos.
It's an interesting process. Assuming you could steal 25 percent of the slot-machine take - what would you do with tons of coins? How would you convert them into bills that could be stuffed into the weekly suitcase for delivery to the mob in Kansas City?
It also knows how to skim from the other games, and from food service and the gift shops. And it knows about how casinos don't like to be stolen from.
There's an incident where a man is cheating at blackjack, and a couple of security guys sidle up to him and jab him with a stun gun.
He collapses, the security guys call for medical attention, and hurry him away to a little room where they pound on his fingers with a mallet and he agrees that he made a very bad mistake.
Rothstein, based on the real-life figure of Frank Lefty Rosenthal, starts life as a sports oddsmaker in Chicago, attracts the attention of the mob because of his genius with numbers and is assigned to run casinos because he looks like an efficient businessman who will encourage the Vegas goose to continue laying its golden eggs.
He is a man who detests unnecessary trouble. One day, however, trouble finds him, in the person of Ginger McKenna Sharon Stone , a high-priced call girl.
Scorsese shows him seeing Ginger on a TV security monitor and falling so instantly in love that the image becomes a freeze-frame. Ace showers her with gifts, which she is happy to have, but when he wants to marry her, she objects; she's been with a pimp named Lester Diamond James Woods since she was a kid, and she doesn't want to give up her profession.
Rothstein will make her an offer she can't refuse: cars, diamonds, furs, a home with a pool and the key to his safety-deposit box. She marries him.
It is Ace's first mistake. Meh, it passed the time. So Fresh: Absolute Must See! You're almost there!
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Without stinting on the viciousness, Scorsese still conveys an element of nostalgia in Casino, although it's less because the movie is convinced by Ace and Nicky's vision of the good old days than it is skepticism over what will eventually replace them.
Adam Nayman. By the end of Casino, for all its craftsmanly bravura, you may want to join her. Owen Gleiberman. So long as Casino stays focused on the excesses -- of language, of violence, of ambition -- in the life-styles of the rich and infamous, it remains a smart, knowing, if often repetitive, spectacle.
Richard Schickel. Jonathan Rosenbaum. Martin Scorsese's intimate epic about money, sex and brute force is a grandly conceived study of what happens to goodfellas from the mean streets when they outstrip their wildest dreams and achieve the pinnacle of wealth and power.
Todd McCarthy. It's not the actors' fault that no one is able to break through the film's gorgeous but chilly surface. You watch Casino with respect and appreciation, reveling in its documentary sense of detail.
David Ansen. Scorsese's skill at creating brevity out of such a kaleidoscopic canvas commands respect, though there's the nagging sense that he's running through something of a formula.
PJ Nabarro. Casino is, in a sense, Scorsese's Godfather. It has the epic scale, the operatic violence and the cornered protagonist who craves legitimacy Mary Nemeth.
Scorsese's Casino is just another Las Vegas spectacular, as noisy and purposeless and, at three hours, as seemingly eternal as the Kids' inferno at Circus Circus.
Al Alvarez. Casino is Scorsese's 'messy drawer' of a movie; disconnected scenes and stylistic odds and sods Simon Miraudo.
Overlong and tedious crime drama epic. A kinetic behind-the-scenes look at the Vegas casinos. Dennis Schwartz. Ellen Twadell. Top Box Office.
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