Dabei sind auch unsere zwei MSCerinnen Katharina Hering und Alena Höfken. Für die Spiele im Hauptfeld steht damit auch der zeitliche Rahmenkalender: Die. Statistiken werden nach Ende des Spiels aktualisiert. Katharina Hering vorheriges Spiel war gegen Niemeier J. in German Indoor Championship, Women. Hamburg – Katharina Hering konnte zum ersten Mal in ihrer Karriere einen Doppeltitel auf dem ITF Pro Circuit gewinnen. Bei dem mit US-Dollar d.
Katharina Hering - Live Ergebnisse, Resultate, SpielerstatistikSpielerprofil, Ergebnisse und Statistiken für Spieler: Katharina Hering - Live Ergebnisse, Resultate, Spielerstatistik. Dabei sind auch unsere zwei MSCerinnen Katharina Hering und Alena Höfken. Für die Spiele im Hauptfeld steht damit auch der zeitliche Rahmenkalender: Die. Statistiken werden nach Ende des Spiels aktualisiert. Katharina Hering vorheriges Spiel war gegen Niemeier J. in German Indoor Championship, Women.
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Ginevra Peiretti. Chelsea Vanhoutte. Perla Nieuwboer. Svenja Ochsner. I had worked for various design companies during my career in communications consulting.
However, studying and teaching design history was a new field for me, even though it had been a long-standing passion of mine.
As an initial step, I began creating an image database for my students, and decided on using tumblr as an English-language platform in order to reach a larger, international audience.
After more than five years and 15, posts, the blog Design is fine. History is Mine. The Bauhaus as a German institution has always been close to my heart; it fascinated me even as a child.
That was my first encounter with the Bauhaus and it left a lasting impression, thanks to good art teachers.
Last year, I began collecting my Bauhaus discoveries on my own website; first there were a few books and interesting publications, then it became more and more of a mission: a collection of sources that can be downloaded free of charge.
Bauhaus knowledge for everyone. The anniversary was an additional incentive to launch the project in a timely manner.
How did you proceed with your research? Which publications and sources were you looking for? Did you research only online or also in analog collections?
The original sources from the Bauhaus period formed the basis for the site, complemented by publications by Bauhaus members or affiliates, or other contemporary witnesses.
Initially, I relied on online research, as availability on the Internet was a mandatory prerequisite. Once the framework was set and my passion could dive into details, I was able to fall back on my own small Bauhaus library.
The catalogue of the Stuttgart exhibition , for example, was an excellent source, and since I also own a copy of the English-language edition, this proved to be of great help in translating the typical Bauhaus terms.
Which discoveries did you particularly enjoy, or which ones particularly surprised you? A highlight was the first catalogue book on the exhibition in Weimar , whose title page and contents I had seen frequently.
Under the umbrella of the SLUB Dresden, I finally found what I was looking for: browsing through and studying the entire work at my own pace for the first time, and the whole thing available in rather good quality, was a wonderful moment — many thanks to Dresden!
I am also happy to note that my work resulted in the online publication of the original English-language version of a lecture held by Ise Gropius at Harvard in One of the focal points of the centennial is on highlighting the history of the women associated with the Bauhaus.
What challenges did you notice in the course of your research? Of course, the theme of the Bauhaus women is a topic close to my heart.
As far as the Bauhaus is concerned, Anni Albers, Gunta Stölzl and Marianne Brandt have been among the well-known personalities for quite some time, and there are new publications on Ise Gropius, for example.
While studying Bauhaus books and magazines I noticed works by Hilde Hubbuch, Rosa Berger, Hilde Horn or Lotte Burckhardt, but little or no information about these individuals is to be found.
Lou Scheper-Berkenkamp and the architect Wera Meyer-Waldeck are known only by small circles and deserve more attention. To date, not much has been known about Yamawaki in German-speaking countries.
But there is widespread interest in learning more about these women, who have remained relatively unknown thus far, and in honoring their work.
Your site is not only a list of links, but also a small online exhibition with short portraits and excerpts from original publications.
Which themes did you want to emphasize when conceptualizing your website? Presenting the diverse spectrum of the Bauhaus was a matter of concern to me, at the same time, the focal points are just as important for orientation purposes.
The Bauhaus was a school. Artists taught at the Bauhaus. There were many strong personalities at the Bauhaus and thus there were conflicts.
The Bauhaus was arts and crafts, theory and practice. At the Bauhaus, there were many new developments — not only in architecture or product design, but also in photography, typography, advertising, PR.
While the Bauhaus in Dessau was forced to cease operations in , in some ways this was just the beginning. If there is just one takeaway for visitors to my site, then my mission has already achieved a lot.
What were the particular challenges in developing and designing the chronology? Designing the structure of the website chronologically seemed obvious and sensible, as it provides a helpful thread leading through the entire range of topics.
How active and for how long? The exhibition catalog, which was compiled and coordinated by Bauhaus members still alive at the time, provided a perfect model for this infographic.
The layout was developed in the process; as more and more content was integrated, the appearance emerged in the process of creation.
One inspiration for the graphic design was, for example, the photo of a bookshelf that Josef Albers designed in Weimar at the beginning of his Bauhaus period reproduced in Bauhaus book no.
It was supposed to look just as geometric, balanced, and solid as it does.